Prof. dr. M. (Millie) Taylor

Musical

Faculteit der Geesteswetenschappen

Theaterwetenschap

Fotograaf: Kirsten van Santen

Bezoekadres

Nieuwe Doelenstraat 16-18

Postadres

Postbus 93065
1090 BB Amsterdam

Contactgegevens

m.taylor2@uva.nl

Publicaties
- refereed (25)
- vakpublicatie (1)
2023

Taylor, M., & Rush, A. (2023). Musical Theatre Histories: Expanding the Narrative. Methuen Drama. https://doi.org/10.5040/9781350293793 [details]

2020

Taylor, M. (2020). Miss Littlewood and Me: Performing Ethnography. Studies in Musical Theatre, 14(1), 65-76.

2019

Taylor, M. (2019). 'Title of Chapter'. In J. Sternfeld, & E. L. Wollman (Eds.), The Routledge Companion to the Contemporary Musical (pp. 17-26). Routledge Academic.

2018

Taylor, M. (2018). Theatre Music and Sound at the RSC: Macbeth to Matilda. (Palgrave Studies in British Musical Theatre). Palgrave Macmillan.

2016

Taylor, M. (2016). Lionel Bart: British Vernacular Musical Theatre. In R. Gordon, & O. Jubin (Eds.), The Oxford Handbook of the British Musical (pp. 483). Oxford University Press.

Taylor, M., Gordon, R., & Jubin, O. (2016). British Musical Theatre Since 1950. Bloomsbury Publishing.

2014

Taylor, M. (2014). Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975). In D. Symonds, & M. Taylor (Eds.), Gestures of Music Theater: The Performativity of Song and Dance (pp. 276-92). Oxford University Press.

Taylor, M. (2014). Sweeney Todd: From Melodrama to Musical Tragedy. In R. Gordon (Ed.), The Oxford Handbook of Sondheim Studies (pp. 335-349). Oxford University Press.

Taylor, M., & Symonds, D. (2014). Studying Musical Theatre: Theory and Practice. Palgrave Macmillan.

Taylor, M., & Symonds, D. (Eds.) (2014). Gestures of Music Theater: The Performativity of Song and Dance. Oxford University Press.

2013

Taylor, M. (2013). From Screen to Stage: Dirty Dancing Live. In Y. Tzioumakis, & S. Lincoln (Eds.), The Time of Our Lives: Dirty Dancing and Popular Culture (pp. 281-296). Wayne State University Press.

2012

Taylor, M. (2012). Musical Theatre, Realism and Entertainment. (Ashgate Interdisciplinary Studies in Opera). Routledge Academic.

2010

Taylor, M. (2010). Continuity and Transformation in Twentieth Century Pantomime. In J. Davis (Ed.), Victorian Pantomime: A Collection of Critical Essays (pp. 185-200). Palgrave Macmillan.

Taylor, M. (2010). Experiencing Live Musical Theatre Performance: La Cage Aux Folles and Priscilla, Queen of the Desert. Popular Entertainment Studies, 1(1), 44-58.

2009

Taylor, M. (2009). Drawing Attention to the Significant: Exploring the functions of music in The Overcoat (1998). Studies in Musical Theatre, 2(3), 261-281.

Taylor, M. (2009). Integration and Distance in Musical Theatre: The Case of Sweeney Todd. Contemporary Theatre Review, 19(1), 47-60.

2007

Taylor, M. (2007). British Pantomime Performanc. Intellect Books.

Taylor, M. (2007). Don't Dream It, Be It: Exploring Signification, Empathy and Mimesis in relation to The Rocky Horror Show. Studies in Musical Theatre, 1(1), 57-71.

2006

Taylor, M. (2006). Exploring the Grain: The Sound of the Voice in Bruce Nauman's Raw Materials. Studies in Theatre and Performance, 23(2), 289-296.

2005

Taylor, M. (2005). Layers of Representation: Instability in the characterization of Jenny in Aufstieg und Fall der Stadt Mahagonny by Brecht and Weill. In G. Kaymer, & L. B. Zvi (Eds.), Bertolt Brecht: Performance and Philosophy (pp. 159-176). Assaph Book Series.

Taylor, M. (2005). Playing with Distance in Pantoland. NTQ : New Theatre Quarterly, 21(4), 331-339.

Taylor, M. (2005). Schrodinger's Research: When does Practice as Research Occur. South African Theatre Journal: SATJ, 19, 183-190.

2003

Taylor, M. (2003). Collaboration or Conflict: Music and Lyrics by Brecht, Weill and Eisler. Studies in Theatre and Performance, 23(2), 117-124.

1999

Taylor, M. (1999). Conventions in Contemporary Pantomime Music. Studies in Theatre production, 19, 139-158.

1997

Taylor, M., & Towse, R. (1997). The Value of Performers' Rights: An Economic Approach. Media, Culture and Society, 20(4), 631-652.
2008

Taylor, M. (2008). Singing for Musicals: A Practical Guide. Crowood Press.
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list.
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Prof. dr. M. (Millie) Taylor

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