Prof. dr. C.M.K.E. (Christa-Maria) Lerm-Hayes
Moderne en Hedendaagse Kunstgeschiedenis
Faculteit der Geesteswetenschappen
Capaciteitsgroep Kunstgeschiedenis
Bezoekadres
- Turfdraagsterpad 15
- Kamernummer: 2,07
Postadres
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Postbus 94551
1090 GN Amsterdam
Contactgegevens
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Publicaties
- refereed (38)
- wetenschappelijk (29)
- vakpublicatie (19)
- populair wetenschappelijk (1)
- congresbijdragen (12)
- erkenning (7)
- supervised theses (12)
2023
- Kovač, L., Lerm-Hayes, C.-M., van Rijn, I., & Saloul, I. (Eds.) (2023). W.G. Sebald's Artistic Legacies: Memory, Word and Image. (Heritage and Memory Studies). Amsterdam University Press. https://doi.org/10.2307/j.ctv37363wr, https://doi.org/10.1515/9789048554133, https://doi.org/10.1017/9789048554133 [details]
Lerm-Hayes, C.-M. (2023). Brian O’Doherty/Patrick Ireland: A modest proposal to decolonise Ireland. In E. Mazadiego (Ed.), Charting Space: The Cartographies of Conceptual Art (pp. 99-115). (Rethinking Art's Histories). Manchester University Press. [details]- Lerm-Hayes, C.-M. (2023). Memory, Word and Image in Sebald and Joyce: Towards a Transhistorical Ethics Communicated Through Minor Interventions in the Form of the Printed Book. In L. Kovač, C.-M. Lerm Hayes, I. van Rijn, & I. Saloul (Eds.), W.G. Sebald’s Artistic Legacies: Memory, Word and Image (pp. 227-242). (Heritage and Memory Studies). Amsterdam University Press. https://doi.org/10.2307/j.ctv37363wr.16, https://doi.org/10.1515/9789048554133-014, https://doi.org/10.1017/9789048554133.013 [details]
2022
- Lerm Hayes, C-M. (2022). Aspect Change, Oscillation, Parallax, Untranslatability. In T. Melzer (Ed.), Atlas of Aspect Change (pp. 405-416). Rollo Press. [details]
- Lerm-Hayes, C-M. (2022). Art History Rooms, Decoloniality, and Liberature: Practicing Art History in the Herenlogement at the Turfdraagsterpad. Image & Narrative, 23(2), 122-131. http://www.imageandnarrative.be/index.php/imagenarrative/article/view/3004 [details]
2021
- Lerm Hayes, C-M. (2021). The Finnegans Wake Reading Group as a Model for “Stealth Activities” Between Art and the University. Forum Modernes Theater, 32(2), 278-287. https://doi.org/10.2357/FMTh-2021-0025 [details]
- Lerm-Hayes, C-M. (2021). Art History Rooms, Decoloniality, and Liberature: Practicing Art History in the Heerenlogement at the Turfdraagsterpad. In H. Westgeest, & K. Zijlmans (Eds.), Mix & Stir: New Outlooks on Contemporary Art from Global Perspectives (pp. 329-339). (Plural; Vol. 4). Valiz. [details]
- Lerm-Hayes, C-M. (2021). Future-Oriented Systemic Thinking: Effects of Beuys, Duchamp, Joyce, O’Doherty … Yours and Mine. In M. Holzhey, K. Neuburger, & K. Röder (Eds.), Beuys & Duchamp: Artists of the Future (pp. 354-368). Hatje Cantz. [details]
- Lerm-Hayes, C. M. K. E. (2021). ‘Sometimes you need help from other people’s ghosts’: Alastair MacLennan’s multi-disciplinary and ‘instituting’ practice as civil action”. In S. Johnston, P. Blair, & C. Driver (Eds.), Actional Poetics – ASH SHE HE: The Performance Actuations of Alastair MacLennan, 1971-2018 (pp. 97-108). Intellect.
2020
- Lerm Hayes, C-M. (2020). Art and Research: A Portrait of a Humanities Faculty as an Inclusive Workspace. Krisis : Journal for contemporary philosophy, 40(1), 180-202. https://doi.org/10.21827/krisis.40.1.37009 [details]
- Lerm Hayes, C-M. (2020). Zeitgenössische Kunst zwischen Medium der Menschenrechte und ihrer normativen (Neu)Erschaffung. Ariella Azoulay und die Performanz der Menschenrechte durch das Bild. In B. Hofmann (Ed.), Menschenrecht als Nachricht: Medien, Öffentlichkeit und Moral seit dem 19. Jahrhundert (pp. 347-380). Campus Verlag. [details]
- Lerm-Hayes, C-M. (2020). “His errors are volitional and are the portals of discovery”: Towards an Indirect Social Efficacy of Joyce’s Attitude to Mistakes – through (Beuys’) Art Responding to Joyce. In E-L. Silva, S. Slote, & D. Van Hulle (Eds.), James Joyce and the Arts (pp. 40-54). (European Joyce Studies; Vol. 29). Brill Rodopi. https://doi.org/10.1163/9789004426191_005 [details]
2019
- Brewer, T., Lerm Hayes, C-M., & Pyle, D. (2019). Joyce Smithy: A Curated Review of James Joyce in Visual Art, Music, and Performance—Community and Elusive Understandings. James Joyce Quarterly, 56(3-4), 413-431. https://doi.org/10.1353/jjq.2019.0058 [details]
- Lerm Hayes, C-M. (2019). Literary Art Exhibitions and Artist’ and Curators’ Solidarity in Times of Historical Change. Zeszyty Artystyczne, 2019(2 (35)), 204-212. https://issuu.com/zeszytyartystyczne/docs/zeszyty_artystyczne_35 [details]
- Lerm Hayes, C-M. (2019). Minor Literature in and of Artistic Reserach. In T. Wälchli, & C. Caduff (Eds.), Artistic Research and Literature (pp. 49-62). Wilhelm Fink Verlag. https://doi.org/10.30965/9783846763339_006 [details]
- Lerm Hayes, C-M. (2019). Mistakes Are the Portals of Discovery: James Joyce’s Mistakes and (Beuys’) Art Discovering Joyce. In S. Dazhen, F. Di’an, & L. Zhu (Eds.), Proceedings of the 34th World Congress of Art History (Vols. I-III) (pp. 1601-1607). The Commercial Press. [details]
- Lerm Hayes, C-M. (2019). Notes on Activist Practices Behind the Iron Curtain: Liberation Theologies, Experimental Institutionalism, Expanded Art and Minor Literature. In N. Aikens, S. Pui San Lok, & S. Orlando (Eds.), Conceptualism - Intersectional Readings, International Framings : Situating 'Black Artists & Modernism' in Europe (pp. 332-351). Van Abbemuseum. https://ualresearchonline.arts.ac.uk/id/eprint/16526/ [details]
- Lerm Hayes, C-M. (2019). Wystawy sztuki literackiej a solidarność między artystami i kuratorami w okresie przemian historycznych. Zeszyty Artystyczne, 2019(2 (35)), 106-119. https://issuu.com/zeszytyartystyczne/docs/zeszyty_artystyczne_35 [details]
- Lerm-Hayes, C-M. (2019). Beuys’s Legacy in Artist-led University Projects. Tate Papers, 31. https://www.tate.org.uk/research/tate-papers/31/beuys-legacy-artist-led-university-projects [details]
2018
- Lerm Hayes, C-M. (2018). [Review of: C. Mesch (2017) Joseph Beuys]. Seminar: A Journal of Germanic Studies, 54(3), 400-402. https://doi.org/10.3138/seminar.54.3.400 [details]
- Lerm Hayes, C-M. (2018). ‘I will re-create Finnegans Wake anyway’: Joseph Beuys reads James Joyce. Nordic Journal of English Studies, 17(1), 152-180. Advance online publication. https://doi.org/10.35360/njes.427 [details]
- Lerm Hayes, C-M., & Pyle, D. (2018). Joyce Smithy: A Curated Review of James Joyce in Visual Art, Music, and Performance in the Time of Trump and #MeToo. James Joyce Quarterly, 55(1-2), 193-212. https://doi.org/10.1353/jjq.2017.0038 [details]
2017
- Benus, E., Breugelmans, T., Buta, C., Eckenhaussen, S., Kerchman, A., Lerm Hayes, C. M., Rhodes, E., de Smalen, J., & Sperling, F. (2017). Strijd ∞, a Performative Exhibition. Sztuka i Dokumentacja, 16, 133-141. https://www.ceeol.com/search/article-detail?id=579055 [details]
- Lerm-Hayes, C-M. (2017). Art Since 1945: Word and Image, Brian, Patrick, and Art Writing. In C-M. Lerm Hayes (Ed.), Brian O’Doherty/Patrick Ireland: Word, Image and Institutional Critique (pp. 269-285). (Vis-à-vis). Valiz. [details]
- Lerm-Hayes, C-M. (2017). Introduction, or the Crossdresser’s Secret. In C-M. Lerm Hayes (Ed.), Brian O’Doherty/Patrick Ireland: Word, Image and Institutional Critique (pp. 9-25). (Vis-á-vis). Valiz. [details]
- Lerm-Hayes, C. M. (2017). Ljubav koja prihvaća i paradoksi (političke) umjetnosti u Sjevernoj Irskoj: Sandra Johnston = Accepting Love and the Paradoxes of (Political) Art in Northern Ireland: Sandra Johnston. Zivot Umjetnosti, 100, 28-43. https://www.ipu.hr/content/zivot-umjetnosti/ZU_100-2017_028-043_Lerm-Hayes.pdf [details]
2015
- Evans, O., Lerm Hayes, C-M., & Pyle, D. (2015). Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance (2016). James Joyce Quarterly, 52(3-4), 693-706. https://doi.org/10.1353/jjq.2015.0039 [details]
- Lerm-Hayes, C. M. (2015). Mad, Marginal, Minor (Artistic) Research. In C. Pontbriand (Ed.), Dora García: I see words, I hear voices (pp. 299-312). (Mad marginal: cahier; No. 4). Sternberg Press. [details]
2014
- Evans, O., Lerm Hayes, C-M., & Pyle, D. (2014). Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance. James Joyce Quarterly, 52(1), 181-191. https://doi.org/10.1353/jjq.2014.0043 [details]
2013
- McCleland, A., Peel, D., Lerm-Hayes, C. M. K. E., & Montgomery, I. (2013). A values-based approach to heritage planning: raising awareness of the dark side of destruction and conservation. Town Planning Review, 84(5), 583-603.
2012
- Lerm-Hayes, C. M. K. E. (2012). Considering the Minor in the Literary and Photographic Works of Rodney Graham and Tacita Dean. In Minor Photography: Connecting Deleuze and Guattari to Photography Theory (pp. 85-102). Leuven University Press.
2011
- Lerm-Hayes, C. M. K. E. (2011). Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean / Nachkriegsdeutschland und ‘Objektiver Zufall’: W.G. Sebald, Joseph Beuys und Tacita Dean. Steidl.
- Lerm-Hayes, C. M. K. E. (2011). The Role of Diversity in the Production and Reception of Art in Belfast: Space Shuttle. In C. M. K. E. Lerm-Hayes, & V. Walters (Eds.), Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics (pp. 118-146). LIT Verlag.
- Lerm-Hayes, C. M. K. E. (2011). ’The Joyce Effect’: Joyce in the Visual Arts. In R. Brown (Ed.), A Companion to James Joyce Blackwell.
2010
- Lerm-Hayes, C. M. K. E. (2010). Rodney Graham: Literature and What an Artist Does With It. In Rodney Graham: Through the Forest (pp. 64). Hadje Cantz, MACBA, Museum fuer Gegenwartskunst Basel, Kunsthalle Hamburg, Ostfildern, Barcelona.
2008
- Lerm-Hayes, C. M. K. E. (2008). Carola Giedion-Welcker: Misrepresented Mediator of Modernists. In K. M. Brown (Ed.), Women’s Contributions to Visual Culture, 1918-1939 (pp. 89-100). Ashgate.
2007
- Lerm-Hayes, C. M. K. E. (2007). Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean. In L. Patt (Ed.), Searching for Sebald: Photography After W.G.Sebald (pp. 412-439). Institute of Cultural Inquiry.
2004
- Lerm-Hayes, C. M. (2004). Joyce in Art: Visual Art Inspired by James Joyce. Liliput Press.
2023
- Lerm-Hayes, C. M. K. E. (2023). “Aspect Change, Oscillation, Parallax, Untranslatability: Approaching Inconsistencies in Joseph Beuys’ Work”. In T. Melzer (Ed.), The Atlas of Aspect Change (pp. 405-416). Rollo Press.
- Lerm-Hayes, C. M. K. E. (Author). (2023). Brian O'Doherty: Reading Time: curated exhibition. Exhibition, SIRIUS Arts Centre.
2022
2021
- Lerm Hayes, C-M. (2021). Beuys in Irland. In T. Skrandies, & B. Paust (Eds.), Joseph Beuys-Handbuch: Leben - Werk - Wirkung (pp. 162-164). J.B. Metzler Verlag. Advance online publication. https://doi.org/10.1007/978-3-476-05792-1_28 [details]
- Lerm Hayes, C-M. (2021). James Joyce. In T. Skrandies, & B. Paust (Eds.), Joseph Beuys-Handbuch: Leben - Werk - Wirkung (pp. 245-249). J.B. Metzler Verlag. Advance online publication. https://doi.org/10.1007/978-3-476-05792-1_44 [details]
2019
- Göttke, F. U. (Author), & Lerm-Hayes, C. M. K. E. (Author). (2019). Florian Göttke: Burning Images – Chapter 7: Resemblance and the Grotesque, A presentation of discursive image assemblages based on chapter 7 of his PhD “Burning Images: Performing Effigies as Political Protest”. Exhibition
- Lerm-Hayes, C. M. K. E. (Author). (2019). Brian O’Doherty: Institutional Work / Institutional Critique. Exhibition, Van Abbemuseum.
- Lerm-Hayes, C. M. K. E. (Author). (2019). Memory, Word and Image: Tacita Dean at BoekieWoekie, Books by Artists, 9 December 2019-6 January 2020. Exhibition, BoekieWoekie Artists' Books. https://boekiewoekie.com/pages/news
2018
- Lerm Hayes, C-M. (2018). Living Archives: The paradoxes of art as incriminating evidence behind the Iron Curtain. Simulacrum, 26(3), 40-44. [details]
- Lerm-Hayes, C-M. (2018). An Emerging Ethics of the Transhistorical Exhibition: Beuys, Büchler, Books. In E. Wittocx, A. Demeester, P. Carpreau, M. Bühler, & X. Karskens (Eds.), The Transhistorical Museum: Mapping the Field (pp. 118-133). (vis-à-vis ). Valiz uitgeverij. [details]
2017
- Lerm-Hayes, C. M. (Ed.) (2017). Brian O'Doherty/Patrick Ireland: Word, Image and Institutional Critique. (Vis-à-vis). Amsterdam: Valiz. [details]
2016
- Lerm-Hayes, C. M. K. E. (Author). (2016). contributions to E-flux blog on Yates McKee's Strike Art, led by Gregory Sholette. Web publication or website, e-flux. http://conversations.e-flux.com/t/strike-art-question-2-lets-talk-about-yates-mckees-2016-book-on-art-activism-occupy/3521/13
2015
- Lerm Hayes, C-M., Benus, E., Breugelmans, T., Eckenhaussen, S., Kerchman, A., Rhodes, E., de Smalen, J., & Sperling, F. (2015). A Performative Exhibition: Strijd ∞. The Nomos of Images, Article 259. http://nomoi.hypotheses.org/259 [details]
- Lerm Hayes, C. M., & Talec, K. (2015). Performance Art and the Conflict in Northern Ireland: A Troubles Archive Essay. (Troubles Archive Essays). Golden Thread Gallery. http://www.troublesarchive.com/resources/performanceartessay_acni.pdf [details]
- Lerm-Hayes, C. M. (Author). (2015). Tino Sehgal: Constructed Situations, Joyce and Beuys. Web publication or website, Sedelijk Museum, Amsterdam. http://journal.stedelijk.nl/essay/tino-sehgal-constructed-situations-joyce-and-beuys/ [details]
- Tuck, S., Long, D., O' Cuiv, R., Hanrahan, S., Lambe, T., Tubritt, G., Jordan, F., Jewesbury, D., Lerm-Hayes, C. M. K. E., Finlay, A., & Donnelly, D. (2015). Spectrality and Urbanism. In S. Tuck (Ed.), After the Agreement: Contemporary Photography in Northern Ireland (pp. 16-55). Black Dog. [details]
2014
- Lerm-Hayes, C. M. (2014). Conceptual Art. In C. Marshall, & P. Murray (Eds.), Art and Architecture of Ireland. -vol. 5: Twentieth Century (pp. 80-83). (Studies in British Art). Royal Irish Academy/Paul Mellon Centre/Yale University Press. [details]
- Lerm-Hayes, C. M. (2014). Concerning the Work of Royden Rabinowitch: Our Disenchanted Ontology or Paradoxical Hope. In R. Kurzmeyer, C-M. Lerm Hayes, F. Maes, R. Nachtigäller, & R. Rabinowitch (Eds.), Royden Rabinowitch: Ghent (pp. 21-36). AsaMER. [details]
- Lerm-Hayes, C. M. (2014). Sandra Johnston: Doubt, Gesture, Love and the Paradoxes of (Political) Art in Northern Ireland. In S. Johnston (Ed.), Beyond Reasonable Doubt: An Investigation of Doubt, Risk and Testimony Through Performance Art Processes in Relation to Systems of Legal Justice (pp. 3-42). (European studies in culture and policy; No. 13). Wien: Lit. [details]
- Lerm-Hayes, C. M. (2014). Violer d'amores, 2004. In A. Rühl (Ed.), Jürgen Partenheimer: Das Archiv = The Archive (pp. 233-237). Distanz. [details]
- Lerm-Hayes, C. M. K. E. (Author). (2014). Equilibrium? Royden Rabinowitch: Historical Turning Points and Artists’ Solidarity. Exhibition
2012
- Lerm-Hayes, C. M. K. E. (2012). Polyhedra and Joyce: A Room for Thought. James Joyce Broadsheet, 91, 1-4.
2011
- Lerm-Hayes, C. M. K. E. (2011). I will re-create Finnegans Wake anyway. In L. de Domizio Durini (Ed.), Beuys Voice (pp. 480-481). Kunsthaus Zurich, Electa.
- Lerm-Hayes, C. M. K. E. (2011). Introduction. In C. M. K. E. Lerm-Hayes, & V. Walters (Eds.), Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics (pp. 1-17). LIT Verlag.
- Lerm-Hayes, C. M. K. E., & Walters, V. (2011). Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics. LIT Verlag.
2010
- Lerm-Hayes, C. M. K. E. (2010). Bloomova Stolice / Bloom Stool. In Pavel Buchler: Marna race / Labour in Vain (pp. 104-107). DOX Centre for Contemporary Art.
2009
- Lerm-Hayes, C. M. K. E. (2009). In the Wake (of) - as a Theory of Participatory Practice. The Recorder, 21,(2), 41-48.
- Lerm-Hayes, C. M. K. E. (2009). The Loneliness of East Germany. Circa, 128, 54-57.
2006
- Lerm-Hayes, C. M. K. E., & Wood, J. (2006). Conference proceedings Carola Giedion-Welcker. Henry Moore Institute. https://www.henry-moore.org/research/online-papers/2006/06/09/aspects-of-giedion-welckers-reception-in-the-english-speaking-world
2023
- Lerm Hayes, C.-M. (2023). Reading Time and Infrastructural Critique: Christa-Maria Lerm Hayes reflects on Brian O’Doherty’s Social Practice Legacy. Visual Arts News Sheet, 2023(4), 9. https://visualartists.ie/out-now-july-august-issue-of-the-visual-artists-news-sheet-3/ [details]
- Lerm-Hayes, C. M. K. E. (2023). “Brian O’Doherty: Reading Time”. Brooklyn Rail, 2023(May). https://brooklynrail.org/2023/05/in-memoriam/A-Tribute-to-Brian-ODoherty
- Lerm-Hayes, C. M. K. E. (2023). “On the Scholar’s Body in Aby Warburg’s Art Research Library”. In P. Pol, & A. Vostermans (Eds.), Future Book(s): Sharing Ideas on Books and (Art) Publishing / Toekomstboek(en): Over (kunst)publicaties en uitgeven, (pp. 102-106). Valiz.
2022
- Lerm-Hayes, C-M. (2022). A Shout in the Street: Some artists’ dialectical theory of urbanism. In A. Gowen (Ed.), Rights of Way: The body as witness in public space (pp. 21-34). Onomatopee. [details]
2020
- Lerm-Hayes, C. M. K. E. (Author), & Richards, P. (Author). (2020). Not Alone: A touring exhibition. Exhibition, Golden Thread Gallery, Belfast.
2019
- Lerm-Hayes, C. M. K. E. (Author). (2019). A Tale of Hidden Histories. Exhibition, Amsterdam University Press/ EYE Film Instituut Nederlands. https://www.youtube.com/watch?v=kSs6MilqGi0&feature=youtu.be
- Lerm-Hayes, C. M. K. E. (Author). (2019). Brian O’Doherty: Attending to what is necessary, Part of "Ephemeral Evidence" series of exhibitions, RongWrong Gallery, Amsterdam, 5 October-5 November 2019. Exhibition, RongWrong, Amsterdam. http://www.rongwrong.org/Louwrien-Wijers-Brian-O-Doherty
- Lerm-Hayes, C.-M. (2019). The Library of Unread Books: Working for the Commons with Books. In N. Chandour, & U. Kattan (Eds.), The Library of Unread Books = Maktabat al-kutub ghayr al-maqrūʼah: Heman Chong, Renée Staal (pp. 27-43). Art Jameel. [details]
2018
- Lerm-Hayes, C. M. K. E. (Author). (2018). Joyce in Art. Exhibition, M HKA.
2015
- Lerm Hayes, C-M. (2015). Writing Art and Creating Back: What Can We Do With Art (History)? (Oratiereeks; No. 537). Universiteit van Amsterdam. http://www.oratiereeks.nl/upload/pdf/PDF-6174DEF_Oratie_Lerm_WEB.pdf [details]
- Lerm Hayes, C. M. (2015). Inleiding. In H. Berger (Ed.), Bibliografie: Beeldende kunst en kunstnijverheid 1850-heden: 2010-2014 (pp. 5-7). Vereiniging van Nederlandse Kunsthistorici. http://www.kunsthistorici.nl/wp-content/uploads/2012/11/VNK_Bibliografie_2015.pdf [details]
2014
- Lerm-Hayes, C. M. (2014). Sticks from West Limerick Hedges. In Seanie Barron Askeaton Contemporary Arts. http://www.askeatonarts.com/documents/SeanieBarronfinalsmall.pdf [details]
2012
- Lerm-Hayes, C. M. (2012). Peter Richards in Conversation with Christa-Maria Lerm Hayes. In P. Richards (Ed.), Peter Richards: An Elective Family Album (pp. 23-29). Queen's University Belfast. [details]
- Lerm-Hayes, C. M. K. E. (2012). Reading Ulysses: Brigid McLeer Performs. In One + One: Brigid McLeer (pp. 15-21). Highlanes Gallery Drogheda.
- Lerm-Hayes, C. M. K. E. (2012). [Exhibition review in Enclave review, Wordpress] [Review of: (2012) Kasper Koenig (curator): Before the Law: Post-War Sculptures and Spaces of Contemporary Art]. Enclave Review, 15-17.
2011
- Lerm-Hayes, C. M. K. E. (Author). (2011). Convergence: Literary Art Exhibitions. Exhibition
2009
- Lerm-Hayes, C. M. K. E. (2009). Gary Coyle: The Daily Practice of Swimming. In Gary Coyle Royal Hibernian Academy and Project Art Centre.
2006
- Lerm-Hayes, C. M. K. E. (2006). La disolución de los límites. La Tempestad, 48, 72-73.
2004
- Lerm-Hayes, C. M. K. E. (Author). (2004). Joyce in Art. Exhibition, Royal Hibernian Academy and Project Art Centre.
2012
- Lerm-Hayes, C. M. K. E. (2012). Keeping Joyce Unsafe and Effective. Irish Times.
2022
- Lerm-Hayes, C. M. K. E. (2022). Documenta History, German History, Art History: Instituting Interconnecting Cosmologies with Aby Warburg, Joseph Beuys and ruangrupa. Paper presented at (un)Common Grounds, Amsterdam, Netherlands. https://vimeo.com/showcase/9917537
- Lerm-Hayes, C. M. K. E. (2022). Story-telling: The Free International University in Derry, Northern Ireland, 1974, and at documenta 6, 1977. Paper presented at Practitheorizing Counterinstitutions, Kassel, Germany.
2020
- Lerm-Hayes, C. M. K. E. (2020). “‘I will re-create Finnegans Wake anyway’: Joseph Beuys’ reading of James Joyce as a first step in using Beuys’ library to ascertain how art may predict the future”.
2019
- Lerm-Hayes, C. M. K. E. (2019). SPACEX and (Social) Art Practices.
- Lerm-Hayes, C. M. K. E. (2019). “Instituting Institutional Critique: Performative, Experimental, Forensic”.
2018
- Lerm-Hayes, C. M. K. E. (2018). Artists’ University Projects: Legacies of Joseph Beuys’ Free International University.
- Lerm-Hayes, C. M. K. E. (2018). Walid Raad and the Politics of Warburgian Ghosts.
2017
- Lerm-Hayes, C. M. K. E. (2017). Artists’ Textual Strategies during the Cold War – Between Incriminating Evidence, Dissident Conceptualism and Overidentification: Pavel Büchler Tamás Szentjóby and KwieKulik. Paper presented at American Comparative Literature Association, Utrecht, .
- Lerm-Hayes, C. M. K. E. (2017). Semi-Academic and Artistic Practices of Communal Reading: The Finnegans Wake Reading Group as Model for ‘Stealth Activities’. Paper presented at Text, Performance, and the Production of Historical Knowledge conference, Jan Lazardzig organiser , .
- Lerm-Hayes, C. M. K. E., & Thurston, N. (2017). Conceptual Writing and Artistic Research in the Force Field of De-/Re-Skilling. Paper presented at International Association of Word and Image Studies conference, Lausanne, Switzerland.
2016
- Lerm-Hayes, C. M. K. E. (2016). Contemporary Artists’ Works in / on Museum Collections: Between Affirmation, Curation and Critique. https://vimeo.com/192113619
- Lerm-Hayes, C. M. K. E. (2016). White Martyrdom: art on the Northern Irish ‘Troubles’ – from Richard Hamilton to Sandra Johnston Through James Joyce and Samuel Beckett. Paper presented at Canonization & Cross-Cultural Martyrdoms expert meeting Amsterdam School of Heritage, Memory and Material Culture, UvA, 9 December 2016, .
Lidmaatschap / relevante positie
- Lerm Hayes, C.-M. (2023). External member of the committee to revalidate NCAD's Visual Culture BA, National College of Art and Design.
- Lerm Hayes, C.-M. (2022-2025). Lid Wetenschappelijk Adviescollege van de domeinbestuur Sociale en Geesteswetenschappen (WAC)
, NWO. - Lerm Hayes, C.-M. (2019-). Academy of Finland review panel on arts and literature research: 2019 onwards.
, Academy of Finland.
Mediaoptreden
- Lerm-Hayes, C.-M. (05-12-2016). Inside Culture, RTE Radio 1, 5 December 2016 [Radio] RTE radio 1 (national broadcaster, Rep. Ireland). Inside Culture, RTE Radio 1, 5 December 2016: https://soundcloud.com/insideculture/inside-culture-33-amsterdam-special. https://soundcloud.com/insideculture/inside-culture-33-amsterdam-special
Andere
- Lerm-Hayes, C.-M. (participant) (10-11-2017). Art and Ethics: the Flag of Compassion, Amsterdam. panel discussion with Nick Aikens, Binna Choi, Rini Hurkmans (participating in a conference, workshop, ...).
- Lerm-Hayes, C.-M. (participant) (10-6-2017). Die Mediatisierung der Menschenrechte, Heidelberg. Die Kunst zwischen Medium der Menschenrechte und ihrer normativen (Neu)Erschaffung (participating in a conference, workshop, ...).
- Lerm-Hayes, C.-M. (participant) (18-9-2016). CIHA, Global Art History Conference, Beijing. Mistakes are the Portals of Discovery: James Joyce’s Mistakes and (Beuys’) Art Discovering Joyce (participating in a conference, workshop, ...).
2023
- Huiskens, M. D. H. P. (2023). Beyond being an Italian sculptor: The exile of Fred Carasso in the Low Countries after the rise of fascism, 1928-1958. [Thesis, externally prepared, Universiteit van Amsterdam, Università degli Studi di Salerno]. [details]
- Vorster, S. (2023). Curating justice after apartheid: South Africa's constitutional court art collection. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
2022
- Cueto Gutierrez, B. (2022). White papers on dissent: Politics and poetics of blockchain. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
- Verga, F. (2022). Tainted memory: Repetition and reconstructions in Mike Kelley’s performative practice. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
2021
- Wielocha, A. B. (2021). Collecting archives of objects and stories: On the lives and futures of contemporary art at the museum. [Thesis, fully internal, Universiteit van Amsterdam]. [details]
- Çolak, E. (2021). Creating a new Europe through contemporary art: Manifesta and its relation to art, society and politics. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
2020
- Lelik, T. A. (2020). Representations of irrepresentability: The painted portrait in the twentieth-century in the works of Edvard Munch, Francis Bacon, and Marlene Dumas. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
- Rombout, M. K. (2020). How to do things with pictures in the museum: Photography, montage and political space. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
2019
- Göttke, F. U. (2019). Burning images: Performing effigies as political protest. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
- McNab, J. A. (2019). The ghost artist: Tracing spectral embodiment as a figure of aesthetic resistance, in an unknown woman’s eighteenth century paintings, and works by Hilma af Klint and Louise Bourgeois. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
2017
- Sholette, G. G. (2017). Delirium and Resistance: activist art and the crisis of capitalism. [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
- van Dijk, M. E. (2017). Foreign artists versus French critics: Exhibition strategies and critical reception at the Salon des Indépendants in Paris (1884-1914). [Thesis, externally prepared, Universiteit van Amsterdam]. [details]
This list of publications is extracted from the UvA-Current Research Information System. Questions? Ask the library or the Pure staff of your faculty / institute. Log in to Pure to edit your publications. Log in to Personal Page Publication Selection tool to manage the visibility of your publications on this list. -
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If I Can't Dance
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If I Can't Dance
Chair of the Board
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If I Can't Dance
Lerm-Hayes, C.-M. (2023). Brian O’Doherty/Patrick Ireland: A modest proposal to decolonise Ireland. In E. Mazadiego (Ed.), Charting Space: The Cartographies of Conceptual Art (pp. 99-115). (Rethinking Art's Histories). Manchester University Press.