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The Dual Master's programme in Preservation and Presentation of the Moving Image provides students with the knowledge and skills needed for archiving and curating audiovisual media within different types of organisations. Through lectures, seminars and workshops, you will become acquainted with a wide range of concepts, principles, practices and techniques.

Programme structure

The dual Master’s programme comprises 90 ECTS credits:

COURSES SEM 1 SEM 2 SEMESTER 1 SEMESTER 2 EC
  • Archives and Archiving
    Period 1
    6

    This course familiarises students with key archival theories and paradigms, concepts and academic debates. Different archival traditions will be discussed, and within them the aims, positions, functions, and power of institutions and counter-practices, including but not limited to audiovisual archives.

  • Conservation and Restoration for Audiovisual Media
    Period 1
    6

    During this course, students become acquainted with and are invited to conceptualise technical, ecological, ethical, political, and historical issues regarding conservation and restoration of collections of film, broadcast materials, and media art in the light of historical and environmental sustainability.

  • Preservation and Access
    Period 2
    6

    This course focuses on institutional strategies and technological infrastructures for preserving and making accessible analogue and digital collections. Attention is paid to workflow, organisational frameworks, copyright, and metadata management, which attest to fundamental (theoretical) questions and competing ideologies and traditions.

  • Programming and Curating Audiovisual Media
    Period 2
    6

    Different definitions of programming and curating will be applied to examine presentation approaches, how programmers and curators select materials, draw relations between them and their social-historical contexts, and, by doing so, participate in processes of knowledge production and value creation.

  • Case Study Project Preservation and Presentation of the Moving Image
    Period 3
    6

    In a four-week workshop hosted by our partners, students work in teams on a case study relevant to the institutions. This may involve aspects of preservation, cataloguing, restoration, digitisation, and presentation. Students present their resulting plans to an expert group.

  • Free-choice electives
    Period 4
    Period 5
    12

    In semester 2, dedicated to specialisation, electives enable students to combine interests, or to fuel the parallel thesis project. In addition to the programme's own elective "This is Film! Film Heritage in Practice", organised in cooporation with Eye Filmmusuem, about 100 electives are offered by the Graduate School of Humanties.

  • Master's Thesis Preservation and Presentation of the Moving Image
    Period 4
    Period 5
    Period 6
    18

    Students conduct research and write their thesis (17,000-23,000 words), supervised by a staff member, about a subject relevant to the programme, informed by previous courses. Academic skills are trained in an accompanying workshop, which also offers room for peer feedback.

Compulsory course
Elective
UvA Course Catalogue: Preservation and Presentation of the Moving Image

Check the schedule

Wondering what your weekly schedule will look like as a master's student Preservation and Presentation of the Moving Image? Download the illustrative timetable and get an impression of the contact hours, balance between weekdays and your spare time.

Dr. Asli Özgen-Havekotte
Copyright: Faculty of Humanities
Archives are not mere repositories. They are key actors in social, epistemic and mnemonic justice. Dr. Asli Özgen-Havekotte
Dr. Christian Olesen
Copyright: Christian Olesen
Digitization profoundly impacts audiovisual archiving. The ability to critically shape this development is becoming a key skill. Dr. Christian Olesen
Frequently Asked Questions