Dr. C.O. (Claudio) Celis Bueno
Faculty of Humanities
Departement Mediastudies
Area of expertise: I study the intersection between philosophy of technology and critique of political economy. I have conducted research on the attention economy as a new regime of value production and power relations, and the politics of machine vision and generative AI.
Visiting address
- Turfdraagsterpad 9
- Room number: 213A
Postal address
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Postbus 94550
1090 GN Amsterdam
Contact details
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Publications
2024
- Celis Bueno, C. O. (2024). Postcapitalist Value: Humans, Machines, Information. In S. Das, A. Pratihar, & E. Gorgul (Eds.), Deleuze, Guattari and the Schizoanalysis of Post-Neoliberalism (pp. 55-74). (Schizoanalytic Applications). Bloomsbury Academic.
- Celis Bueno, C. O., Chow, P. S., & Popowicz, A. (2024). Not ‘what’, but ‘where is creativity?’: towards a relational-materialist approach to generative AI. AI & Society. Advance online publication. https://doi.org/10.33767/osf.io/w5a2n, https://doi.org/10.1007/s00146-024-01921-3
2023
- Markelj, J., & Celis Bueno, C. (2023). Machinic agency and datafication: Labour and value after anthropocentrism. Convergence : The International Journal of Research into New Media Technologies. https://doi.org/10.1177/13548565231166534
Markelj, J., & Celis Bueno, C. O. (2023). Ambiguity and Affect in Digital Culture: An Interview with Susanna Paasonen. The Journal of Media Art Study and Theory, 4(1), 28-51. https://www.mast-journal.org/vol-4-no-1-2023 [details]- Rubio, R., & Bueno, C. C. (2023). Aportes simondonianos al debate reciente sobre operatividad, técnica y cultura en la teoría de los medios alemana. Revista de Filosofía, 48(2), 443-461. https://doi.org/10.5209/resf.78944
2022
- Celis Bueno, C. (2022). Automatizar el sentido común: Moderación de contenidos en el capitalismo de plataformas . Anuario Electrónico de Estudios en Comunicacion Social "Disertaciones", 15(2). https://doi.org/10.12804/revistas.urosario.edu.co/disertaciones/a.10930 [details]
- Celis Bueno, C. O., & Rodríguez Freire, R. (Eds.) (2022). Antropoficciones. Culture Machine, 21. https://culturemachine.net/archives/vol-21-antropoficciones/
- Celis Bueno, C., & Schettini, C. (2022). Transindividual Affect: Gilbert Simondon's Contribution to a Posthumanist Theory of Emotions. Emotion Review, 14(2), 121-131. Advance online publication. https://doi.org/10.1177/17540739221091984 [details]
- Celis Bueno, C., Berti, A., & Parente, D. (Eds.) (2022). Glosario de Filosofía de la Técnica. Editorial La Cebra.
2021
- Bueno, C. C. (2021). Imagen y poder en la era de la visión artificial: Una interpretación a partir de Gilbert Simondon y Gilles Deleuze. Atenea, (523), 193-211. https://doi.org/10.29393/ATAT523-417CCIP10417
- Celis Bueno, C. O., & Ortuzar, P. (2021). We Have Always Been Artificially Intelligent: An Interview with Joanna Zylinska. Culture Machine, 1-14. https://culturemachine.net/vol-20-machine-intelligences/an-interview-with-joanna-zylinska-claudio-celis-and-pablo-ortuzar-kunstmann/
- Celis Bueno, C. O., & Schultz, M. J. (2021). Notes on an Algorithmic Faculty of the Imagination. Anthropocenes: Human, Inhuman, Posthuman, 1-13. https://www.anthropocenes.net/article/id/1016/
- Celis-Bueno, C., & Schultz, M. J. (2021). Diagrama, clichés y algoritmos: Una aproximación a la visión maquínica desde la perspectiva no-representacional de Gilles Deleuze1. Arte, Individuo y Sociedad, 33(4), 1137-1156. https://doi.org/10.5209/ARIS.71049
2020
- Bueno, C. C. (2020). La Allagmática en Cuanto Disciplina Poshumanista: Nuevas Metodologías Para el Estudio de las Imágenes en el Contexto de las Máquinas de Visión Algorítmica. Revista 180, (46), 26-37. http://www.revista180.udp.cl/index.php/revista180/article/view/692
- Celis Bueno, C. (2020). The Face Revisited: Using Deleuze and Guattari to Explore the Politics of Algorithmic Face Recognition. Theory, Culture & Society, 37, 73-91. https://doi.org/10.1177/0263276419867752
- Celis Bueno, C., & Schultz, M. J. (2020). Memo Akten's 'Learning to See': From Machine Vision to the Machinic Unconscious. AI & Society, 35, 1-11. https://link.springer.com/article/10.1007/s00146-020-01071-2
- Celis, C. (2020). Critical surveillance art in the age of machine vision and algorithmic governmentality: Three case studies. Surveillance and Society, 18(3), 295-311. https://doi.org/10.24908/ss.v18i3.13410
2019
- Bueno, C. C. (2019). From Spectacle to Deterritorialisation: Deleuze, Debord and the Politics of Found Footage Cinema. Deleuze and Guattari Studies, 13(1), 54-78. https://www.euppublishing.com/doi/full/10.3366/dlgs.2019.0341
2018
- Bueno, C. C. (2018). Trabajo vivo/trabajo muerto: 'Sucesos Intervenidos' y el estatuto del archivo audiovisual en el capitalismo cognitivo. Aisthesis, 64, 201-217. https://revistaaisthesis.uc.cl/index.php/RAIT/article/view/1891
2017
- Bueno, C. C. (2017). Harun Farocki’s Asignifying Images. TripleC, 15(2), 740-754. https://doi.org/10.31269/triplec.v15i2.874
- Bueno, C. C. (2017). The attention economy: From cyber-time to cinematic time. In Memories of the Future: On Countervision (pp. 169-184). Peter Lang Academic Research. https://doi.org/10.3726/b11142
- Bueno, C. C. (2017). Utopía, trabajo y posfordismo: Sobre counter-music de harun farocki. Revista 180, 39. http://www.revista180.udp.cl/index.php/revista180/article/view/401
- Celis Bueno, C. (2017). The Attention Economy: Labour, Time, and Power in Cognitive Capitalism. Rowman & Littlefield International.
2016
- Bueno, C. C. (2016). Imágenes operativas y montaje blando: Historicidad de la función social de la imagen en la obra de Harun Farocki. Aisthesis, 60, 91-109. https://revistaaisthesis.uc.cl/index.php/RAIT/article/view/2316
- Celis Bueno, C. (2016). An Immanent Critique of the Attention Economy. Oxímora, 9, 105-125. https://revistes.ub.edu/index.php/oximora/article/view/16734
2015
- Celis Bueno, C. O. (2015). The Machinic Temporality of Metadata. TripleC, 101-111. https://doi.org/10.31269/triplec.v13i1.649
Prize / grant
- Celis Bueno, C. (2017). Algorithmic Cinema and Machine Vision: Towards an Asignifying Semiotics of the Image.
- Celis Bueno, C. (2015). Aesthetics and Politics of Found Footage Cinema in the Context of Digital Postproduction.
Membership / relevant position
- Celis Bueno, C. (2022). Member of the Consulting Board, LAVITS Research Network.
Others
- Celis Bueno, C. (participant) (13-4-2021 - 29-6-2021). Between Trans- and Posthumanism, Pisa. The aim of this webinar series is to explore the encounters and differences between Trans-humanism and Posthumanism. These two concepts have been (…) (organising a conference, workshop, ...). https://www.santannapisa.it/it/evento/between-trans-and-posthumanism
- Celis Bueno, C. (visiting researcher) (1-1-2021 - 30-9-2021). Scuola Superiore Sant'Anna, Pisa (visiting an external institution).
- Celis Bueno, C. (visiting researcher) (1-9-2016 - 31-12-2016). Westminster University (visiting an external institution).
2024
- Jankowski, S., Kemper, J., Celis Bueno, C. O. & Sabbah, O. (7-11-2024). Wikipedia Policy Status Moments in Five Language Editions. Universiteit van Amsterdam. https://doi.org/10.21942/uva.27377457.v1
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Ancillary activities
No ancillary activities
Markelj, J., & Celis Bueno, C. O. (2023). Ambiguity and Affect in Digital Culture: An Interview with Susanna Paasonen. The Journal of Media Art Study and Theory, 4(1), 28-51.